Showing posts with label Antop Hill. Show all posts
Showing posts with label Antop Hill. Show all posts

Cynthia D'Costa is upset with her family - Episode 2 - Wadala Wagrant Stories

 "See you tomorrow, then," Zubin said, his voice a low counterpoint to the city’s roar. He stood before Auxilium House, the facade of the old residential building a familiar canvas of faded yellow paint and dark green railings. A few feet away, a double-decker bus, its red paint peeling in protest of the tropical sun, rumbled past, a fleeting glimpse of faces pressed against its windows.

Joseph leaned against the gate, a sudden sense of finality settling on his shoulders. The walk was over. The grand, sprawling ideas had to be shelved for another day. “So you’re going all the way there for her?” he asked, a hint of something he couldn't name—envy, perhaps, or just plain curiosity—in his voice. “To the BPT Polyclinic? Isn't it a long way?”

Zubin shrugged, a casual gesture that made his backpack shift on his shoulders. “It’s not so bad. Besides, my parents… they don’t like her to be out there alone late. It’s better this way.” His sister, Farida, was 20, a figure of distant, adult authority in Joseph’s mind. The BPT Polyclinic, with its sprawling, almost campus-like feel, was a world away from their usual haunts. It was a place of serious work and serious people, not teenage dreams and philosophical ramblings.

“Okay, then. Take care,” Joseph said, pushing off the gate.

“You too. And don’t dream about becoming a pilot. Not yet.” Zubin grinned, a quick flash of his usual dry wit, and then turned, his figure a solitary point in the river of people flowing towards the main road.

Joseph watched him go, a sense of quiet descending as Zubin's familiar form merged with the crowd. He pushed the heavy gate of Auxilium House open, the sound of the hinges a rusty groan he’d known all his life. He stepped into the building’s cool, dim entryway, the smells of the building hitting him like a soft wave. There was a constant, low murmur of a thousand lives lived behind the closed doors, a mix of cooking smells, stale air, and the faint, ever-present scent of old wood and worn tiles.

The staircase was a familiar climb. Joseph took the steps two at a time, his feet instinctively knowing the rhythm of the ascent. As he passed the second-floor landing, his nose twitched. Sonny Aruja’s house. Sonny, who was a Keralite Roman Catholic and had a booming voice, was a man of large appetites, and his cooking was never subtle. Today, the scent was a heady, complex mix of fish curry and red boiled rice, a perfume so rich and deep that it seemed to hang in the air, a thick, palpable presence. Joseph felt a pang of hunger, a visceral, animal desire for a plate of that food. It smelled of spices and promises, of a life lived with a certain confident gusto.

He reached his own door and pushed it open, the gentle squeak of the hinges a familiar sound of homecoming. The first thing he saw was his father, Robert D’Costa, or 'Bobby' as he was known to his friends. His father was a man of habit and quiet contemplation. He sat in his favorite armchair, its faded floral pattern a testament to years of service. He was angled towards the window, the soft evening light illuminating the lines on his face and the silver in his hair. His eyes were fixed on the main street, a living canvas of human drama, while his hands held a copy of The Times of India, the rustle of its pages a constant, gentle sound.

Robert or Bobby D'Costa at his armchair with Cynthia at the Kitchen

A glass, its bottom half filled with a pale amber liquid and a few cubes of ice, sat on the small side table beside him. Joseph knew, instinctively, that this was either the second or third "large" glass of whisky. Robert D’Costa, a foreman at the Hume Pipe Factory in Antop Hill, worked shifts, a rhythm that had governed their family life for as long as Joseph could remember. When he was home in the afternoon, this ritual was as constant as the coming of night. The Goan Roman Catholics of this city, Joseph mused, never bothered with the proper measure of a "chota" or "large" peg. For them, a glass was a glass, filled to a point that felt right, a personal measure of the day’s work and a quiet moment of peace before the next shift began.

Joseph padded softly into the house, his presence unnoticed. He heard the clatter of pots and pans from the kitchen and knew his mother was at work. Cynthia D’Costa, a woman with a quick, sharp tongue and a heart of fierce love, was a source of both warmth and a certain kind of domestic drama. She hailed from Chiplun, a small town near Ratnagiri, and her family had carried a slice of that Konkan life with them to Mumbai.

He wandered into the kitchen, his stomach rumbling in anticipation. He took in the scene with a quick glance. A pot of what looked like watery chicken stew simmered on the stove. A plate of rice sat beside it, looking tired and uninspired. And on the counter were the sad, leftover bread slices from the morning. Joseph’s face fell, the hunger that had flared just moments before deflating into a familiar disappointment.

Cynthia, her back to him as she stirred the pot, didn't even turn. She sensed his presence, or perhaps, she had already anticipated his reaction. “Don’t look at me like that, Joseph,” she said, her voice a low grumble that had a certain theatrical quality to it. “You want better food? Who is going to go to the market? Your father? Or maybe your sister, Wilma, will come down from her room and magically bring fresh fish and new vegetables?”

Joseph felt a familiar pang of guilt and a slight sense of irritation. He knew this litany by heart. The complaint was not meant for him. It was a soliloquy, a carefully crafted piece of domestic dialogue designed for an audience of one. His father, sitting just a room away, with his back to the drama, was the intended listener. Cynthia’s voice was loud enough, her frustration pitched at just the right level to carry through the thin walls. She was not angry with Joseph. She was speaking to the universe, to the unhelpful men in her life, and most pointedly, to the one who sat in his armchair, lost in his newspaper and his whisky.

Without a word, Joseph retreated from the kitchen, the sound of his mother’s low-pitched complaints following him. He felt the weight of his own helplessness. He couldn't go to the market now. He had just come home. The day’s events had been a long, rambling journey of mind and body, and now, all he wanted was to find a quiet corner and wait for dinner. The air in the apartment felt thick with the unspoken, the small domestic frustrations that made up the backdrop of his family life. He moved past his father, who remained a statue of quiet contemplation, and headed for the bedroom, the memory of Sonny Aruja’s fish curry a cruel and delicious taunt.

Bharat Bhushan

21 August 2025

Football, helicopters and taxi drivers in Wadala

Mumbai hummed, a constant, shifting melody of horns and hurried feet. In this relentless rhythm, Joseph D’Costa, all of 14 years old, found his own erratic beat. He was a boy built of contradictions: a skinny frame that moved with the promise of future athleticism, and a mind that drifted across half-formed ambitions. Today, as he leaned against the sun-warmed wall of his Wadala school, he was a future football star.

“You’re mad,” Zubin Bhatena, his friend and occasional co-conspirator in adolescent mischief, said, his voice a dry counterpoint to Joseph’s grandiose proclamations. “A professional football player? Have you even kicked a ball that wasn’t a crumpled-up paper a**?”

Joseph pushed himself off the wall, a dramatic gesture. “The passion is what matters, Zubin. The josh! I feel it in my soul.” He mimed kicking a goal, a graceful, if slightly uncoordinated, sweep of his leg. “Besides, the Brazilians started on the streets. We’ve got the spirit.”

Zubin, with the quiet composure of a Parsi boy from Dadar’s Parsi Colony, adjusted the strap of his backpack. He was a year older than Joseph, and carried his 15 years with a preternatural wisdom that Joseph often mistook for cynicism. “The Brazilians also had a proper field, not a patch of broken pavement. And they didn’t have to deal with traffic that would make a saint curse.”

“Details, my friend, details,” Joseph said, a breezy wave of his hand dismissing the practicalities. “It’s about the dream. You wouldn't understand.”

“I understand that my dream is not to break my ankle on a pothole,” Zubin shot back.

The last of their classmates drifted away, their chatter fading into the urban white noise. Joseph and Zubin began their familiar walk, a meandering journey that took them from the relative quiet of their school to the vibrant chaos of the Wadala railway station. The air thickened with the smells of the city: exhaust fumes, frying snacks, the faint, sweet scent of jasmine from a vendor’s stall.









“Speaking of dreams,” Zubin said, stepping around a vendor arranging colourful plastic toys on a sheet, “did you tell your father about your new ambition?”

Joseph’s smile faltered. His father, a man of quiet, unwavering faith and meticulous habits, had very specific ideas about a son’s future. “Not exactly. I told him I’m thinking of becoming a pilot.”

Zubin stopped dead in his tracks, a look of genuine disbelief on his face. “A pilot? Joseph, you get dizzy on the top floor of our school building.”

“Not a pilot, a helicopter pilot,” Joseph clarified, as if this was a crucial distinction. “It’s different. They’re cooler. More… focused. And you get to see the city from the sky. No traffic.”

“So, you’ll trade potholes for power lines?” Zubin said, resuming his walk, a slight shake of his head. “And what did he say?”

“He said, ‘Joseph, a helicopter pilot? We don’t even have a fan that works properly at home.’ It was a very short conversation,” Joseph admitted, a hint of dejection in his voice.

They crossed the bridge over the railway tracks, a vantage point from which they could watch the city’s lifeblood flow. The trains, packed to the doors, were iron serpents slithering into the heart of Mumbai. The platform below was a teeming mass of people, a beautiful, terrifying mosaic of humanity.

“Maybe I’ll just be a taxi driver,” Joseph mused, more to himself than to Zubin. “Easy, right? You just… drive. And you get to meet all sorts of people. And you get paid every day. A steady income. That’s what my dad wants.”

Zubin looked at him, his brow furrowed. “So, from professional footballer to helicopter pilot to… taxi driver. Joseph, are you a person or a multiple-choice question?”

“I’m eclectic!” Joseph declared, raising his hands in a gesture of triumph. “I contain multitudes, Zubin. It’s a very Mumbai thing. One day you’re a chaiwallah, the next you’re a movie star. The city lets you be anything.”

They navigated the crowded streets, their conversation a thread weaving through the tapestry of the city. They passed a bustling vegetable market, its colours a riot against the grey of the buildings. A man with a handcart piled high with bright, yellow coconuts called out to them, his voice a familiar part of the soundscape.

“You know, my dad says I should learn business,” Zubin said, his voice softer, more thoughtful. “Take over the family shop. We’ve been selling textiles for generations. He says there’s a certain honour in it.”

Joseph considered this. He knew Zubin’s father, a kind, well-dressed man who always gave Joseph a small bag of sweets when he visited. “Honour is good. It’s solid. Like a brick.”

“But it’s a brick that doesn’t fly, or score goals, or take you on an adventure,” Zubin said, a rare note of wistfulness in his voice.

They continued their walk, turning off the main road and heading towards Antop Hill, a quieter, more residential area. The air grew slightly cleaner, and the sounds of the city were muffled by the dense canopy of trees and the narrower lanes. They passed a small, brightly painted Catholic church, its bell tower a landmark against the afternoon sky.

“Maybe I’ll be an artist,” Joseph said, a sudden inspiration striking him. “A painter. Like Husain. Paint horses. No, not horses. Paint… the sea. The sea is always changing. Like me.”

“Joseph, you can’t draw a straight line with a ruler,” Zubin said, a tired sigh in his voice.

They reached the top of a small rise, a secluded spot with a bench overlooking a small, untended garden. They sat down, the quiet a welcome relief. The sun was beginning its slow descent, painting the sky in shades of orange and pink.

“You know, I don’t think any of it matters,” Joseph said, his voice now stripped of its bravado. “The job, the money. It’s all just… stuff. I think what matters is the story. The one we tell ourselves.”

Zubin looked at his friend, a glimmer of understanding in his eyes. “So what’s your story, Joseph? The one you tell yourself when no one is listening?”

Joseph thought for a moment, his gaze fixed on the fading light. “My story… is that I’m a boy from Wadala who is going to find his way. And that I’m going to do it my way. And that it’s going to be a good story. A really good one. Even if it’s a bit messy and doesn’t make sense to anyone else.”

He turned to Zubin, a wide, genuine smile on his face. “And my story has you in it. And all of this. This city, this walk, this conversation. It’s all part of it.”

Zubin didn’t say anything. He just looked at his friend, and then at the city spread out below them, a city of a million stories, each one as rambling and wayward and serendipitous as the next. He knew, instinctively, that this was just the beginning. The story had no end, just a new page, a new day, and a new ambition for Joseph to chase, a new path for them to wander down.

As the first streetlights flickered on below, illuminating the city in a soft, golden glow, Zubin knew that his own story was a simple one. It was the story of a boy from Dadar who was happy to just walk alongside his friend, and watch. Because in a city as eclectic as Mumbai, sometimes, just being a witness was the most serendipitous adventure of all.

Bharat Bhushan 

21 August 2025 

Why we cannot dance like Pappu?

The new movie song that goes, "Pappu can't dance..." evoked many long lost memories. Back to 1975-1976, at Wadala, Mumbai, where as classmates, we followed our friends to their local church parish at Antop Hill during the December month. This was the time when all the churches in the region, from Don Bosco, Antop Hill, St. Josephs and the nearby areas began preparing for Christmas and New Year.

For most of us, at St. Josephs, this was also the month when we got invited by our classmates and friends to join in the preparations, the practice for dances, the sampling of different types of cuisine, the preparation of plum cakes and ginger wine, and we could usually get included in all the local sports competitions to vie for trophies with prize moneys of Rs. 11 to Rs. 22. 

The parts that we looked forward to, needless to specify, were the sports events, of course. No, not at all. I am lying. We looked forward to the dance practice sessions and the preparation of different types of food. Wadala to BPT colony to Antop Hill, we were one big stretch of cosmopolitan diversity. Even among the christian families, we knew Thomas Mathew and Melwyn, both keralite christians, but one, a syrian christian, and the other a roman catholic anglo-Indian, and then Venantius Pinto, a roman catholic from Goa, never seen one more truer to his soil, language, spirti and of kindred souls, also D. V. L. N. Rao, for all his long Andhra name, a protestant from Nellore, and also, one whom I cold never make out, but a diamond among all of us, Kenneth Nazareth. Impeccable in dress, handwriting, studies, behaviour, affection and of true love from his soul. 

Each one of them, introduced us, got us sneaked in, helped us sit throught, and led us out of our shy hesitation to watch the dance practise and, get to start dancing. This hesitation was not about dancing, period. So, we had statements that still ring in our ears, even after 33 years, I guess, for all my classmates, "Arre, Pradeep, you can't dance, yaar..." and, "Sunil can't dance, kaltu..." and of course, the ringer still, "Firdaus can't dance, even by himself..." 

And then, after 33 years, this movie comes along. I have yet to see it. I always wait to see movies on TV rather than in the theatre. I have seen Alistair Maclean's "Caravan to Vaccares" at Aurora theatre in Kings' Circle in 1975, where the balcony ticket cost was Rs. 1.25/= only. I cannot  therefore, get myself to see something like "Spiderman 3" for Rs. 125/=. You cannot even compare the thought at all. I would like to retain the memories. But then again, thats' another story.

This song that goes, "Pappu can't dance..." brought back memories. Of Melwyn, Venantius Pinto, Godfrey, Bosco, Milton, Sunil, Zaheer, Firdaus, Adil, Bahaar, Narayan, Mahendra, Zubin, Kenneth Nazareth, Murali, Pradeep, Thakur, Jagdish, Ramesh, Srinivas, Sanjay and Sridhar. We all had one thing in common. Some could not dance properly, while some thought they could, and most could not dance at all. But, we did dance. Only, we had our own dance.